Twenty years of research, practice, and lived experience across three programs — all dedicated to improving quality of life, respiratory health, and physical recovery after SCI.
My name is Jeremy Olson. I hold a Masters of Social Sciences majoring in Psychology from Waikato University, New Zealand, and conducted my graduate research at Deakin University in Melbourne, Australia, under the supervision of Professor Robert Cummins.
Over two decades I have pursued one question through three very different lenses: academic research, musical rehabilitation, and mind-body medicine. This website brings that work together for the first time in one place.
Whether you are a person living with SCI, a rehabilitation clinician, a researcher, or a family member — I hope something here is useful to you.
A graduate psychology study examining subjective quality of life and strategies of control in 78 people with SCI — supervised by Professor Robert Cummins. Five key publications from this body of work are summarised below.
Each summary is written in plain English — then followed by the academic version. Click Read Article to open the full text.
The only strategy of control significantly associated with higher life satisfaction was "compensatory secondary control" — specifically, attributing the inability to achieve a goal to bad luck. A sense of fatalism, rather than self-blame, predicted wellbeing across six life domains.
Olson & Cummins (1999) — Deakin UniversityPeople with SCI placed significantly greater importance than the general population on productivity, safety, and place in community — yet reported lower satisfaction in those same areas. These three domains may need greater emphasis in rehabilitation planning. Greater age and longer time since injury were both associated with higher life satisfaction, suggesting that adaptation deepens over time.
A free, self-paced blues harmonica curriculum designed for people with high-level spinal cord injuries — addressing respiratory health, emotional expression, and quality of life through music. Each module has a demonstration video and a full written guide.
"Strengthening the breath and living longer is a by-product of having a good old-fashioned blast on the harp."
Jeremy Olson — Programme founderVideo demonstrations for each module coming soon. Click Full Curriculum for the complete written guide.
What if your mind could play a role in healing your spinal cord? Not as wishful thinking — but as a deliberate, structured practice grounded in neuroscience, available here as a self-directed set of guided imagery practices.
"After two decades of research in quality of life and rehabilitation psychology, this programme is my synthesis of what the evidence supports — and how I think it might be put into daily practice."
— Jeremy Olson, developer of the Guided Imagery Programme
These practices involve doing something with your body and mind in response to instructions. They are informed by research but are not clinical treatments. Please read this short notice before using any of them — it covers who the practices are for, the pain caveat, and how the audio is made.
If you only practise lying down at night, you'll often fall asleep without doing the visualisation work — your body and mind associate that posture with sleep. This is one of the real difficulties of the programme. The way around it is to practise during the day too, in a position your body associates with attention rather than rest. The five-minute returns to the breath that the closing of each practice describes — those are doing genuine work.
Every 90 minutes or so, your body does something remarkable. It enters a natural window of deep rest — a state where your mind becomes quieter, your breath slows, and something shifts. Scientists call it the Basic Rest-Activity Cycle. Most people let these moments pass without noticing.
You can learn to recognise the rest phase as it approaches. The signs are quiet but consistent:
Once you're in the rest phase itself, the experience is recognisable:
Guided Imagery Programme is about learning to recognise those windows — and then using them. Not to zone out, but to direct specific mental imagery toward a part of your body you want to work with. Research on motor imagery has shown that this kind of focused mental rehearsal produces measurable changes in the brain's motor circuits, even when the muscles themselves can't execute the movement.
Is this proven? Not yet. I'll be honest with you about that. The outcome depends on the nature of your injury, your consistency, and your belief in the process. But the neuroscience of mind-body interaction is real. The placebo effect — the documented ability of belief and imagination to produce measurable physical change — is real. And after two decades of research into what helps people flourish after SCI, this is the most exciting thing I have found.
Everything is free, and everything is here on the page. The longer practices each take about 20 minutes; the window practices take just a few breaths. There is no schedule and no enrolment — only the practices, and your own rhythm with them.
"The imagination is one of humanity's oldest and greatest healing resources. Every cell in the body regenerates at least once every seven years. All impediments to spinal cord regeneration are only illusions."
There is a name for what this practice is, and it is a useful one: directed daydreaming. Relaxation comes first; imagery follows. You enter a quiet, receptive state, and then you turn your attention deliberately toward the body — toward the part you want to work with — and you hold an image of it functioning well.
Imagery, in this view, is two-directional. It is both the cause of bodily change and the record of it — every shift in mood, posture, or health leaves a trace in the imagination, and every clearly held image leaves a trace in the body. You are not trying to force anything. You are working with a feedback loop that is already running.
It is also worth saying that there is no single correct image. Part of the practice is permission to try on different mental pictures until one feels right — and to let the imagery shift over time. What works in week one may not be what works in week six. The image that comes to you spontaneously is often more potent than one you've been told to use.
Belief acts like the rudder on a large ship — small in itself, but able to steer a great deal. When you genuinely hold open the possibility that the imagination can influence the body, more of your nervous system engages with the practice. This is not magical thinking; it is simply how attention works. What you do not believe in, you cannot give your full attention to.
The practices draw on four ways of building these neuronal patterns, woven together throughout the work:
Used together, these four create the broadest possible pattern of neuronal firing — which is, in the end, what gives the imagery its physical reach.
Each practice uses the same three-phase method (Ideal Being → Anatomical Pathway → Breath and Light) applied to a different target. All five are free to use.
Each can be used independently. The order is yours to choose, but if you'd like a starting point, the hand and grasp practice is a useful first encounter with the three-phase method — it's the most concrete of the five and the fastest to develop a vivid sense of.
"Listen to your self-doubt. Hear the voice criticising yourself — the voice saying that what you are doing is a waste of time, or that your progress is too slow.
Rather than fight the voice, listen for a while, then move on. Kindness to yourself helps build confidence and courage."
When you think, neurons fire. When neurons fire, chemicals are released that affect other cells in your central nervous system. The imagination is not separate from the body — it is a biological event.
Ernest Rossi's research The Psychobiology of Mind-Body Healing traces the precise biological pathways by which mental imagery during states of deep rest influences the immune and endocrine systems. The practices on this page build on that foundation.
The outcome is unknown. It depends on injury, belief, and consistency. But if there is any chance the mind can influence recovery — these practices are designed to give it every opportunity to do so.
Important: These practices are not clinical interventions and do not replace medical care, medications, or professional advice. Please read the full notice about the practices before beginning. You are free to stop at any time.
Three moments in your day are unusually receptive to mental imagery work. They're already happening, whether you use them or not. Knowing how to use them changes the whole nature of the programme.
The first sixty seconds after you wake — before you reach for your phone, open your eyes fully, or turn over — your nervous system is in its softest state. Spasticity is at its lowest. Pain is often quieter. The analytical mind hasn't fully booted. Imagery lands deeply.
The minutes between climbing into bed and actually falling asleep are similarly potent. Your mind drifts. The boundaries between thought and image soften. Whatever you bring your attention to in this window tends to follow you into sleep — and the brain continues its consolidation work overnight.
Every 90 minutes or so, your body moves through a natural rest phase — about fifteen to twenty minutes long — when attention naturally softens, focus fades, and your mind starts to drift. You might notice it as a mid-morning lull, or that quiet pull around 3pm when concentration just goes. Most people push through these moments with caffeine or by switching tasks.
They're not weakness. They're your nervous system following its own rhythm — the same rhythm it follows through the stages of sleep at night, continued into the day.
These daytime drift phases are the most underused windows you have. They happen multiple times in a working day. And during them, your nervous system is in much the same receptive state it's in around sleep.
Don't reach for a device. Don't put on the audio. Don't open this page. The whole point of these windows is the softness — and that softness is broken the moment a screen, a script, or an instruction is involved.
Instead, draw on whatever practice you've been working with during the day. The imagery you've used in the longer sessions is now in your memory. You can return to it without prompts.
If you've been practising the hand, return to the feeling of the hand closing — the warmth in the palm, the curl of the fingers — for two or three breaths.
If you've been practising bladder or bowel awareness, return to the warm light pooled in the lower belly. Just a few breaths of attention there.
If you've been practising sexual sensation, return to the warmth in the pelvic centre. Welcome it without judgement.
If you've been practising spasticity softening, take a few long out-breaths and send a quiet signal of safety to wherever your body is holding.
If you haven't yet started a longer practice, the simplest entry is the warm light at the crown — a soft warmth at the top of your head, like sun on your scalp. Return to this feeling for a few breaths in any of the windows. The longer practices will give you more specific imagery to work with as you go.
You don't need to complete a full practice in these windows. Three breaths of returning to an image is doing real work. The brain is in a state where small inputs travel further than large ones.
The longer practices teach the vocabulary. The windows are when that vocabulary is used.
Most people miss the daytime drift phases entirely — pushing through them with willpower or caffeine. Once you start to notice them, you'll find you have more practice opportunities every day than you imagined.
The longer practices and the windows work together. Without the longer sessions, you don't yet have a vocabulary to return to. Without the windows, the longer sessions stay confined to themselves. Both are part of the work.
If you've been practising for a few weeks and feel that nothing is changing — or you've stopped and are thinking about coming back — there is a separate page for that. It addresses both moments honestly: When Nothing Seems to Be Happening.
The complete five-step protocol and anatomy visualisation aids are available below. Sign up above to receive the guided email version with full stage-by-stage instructions.
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